2024年书虫和他的书读后感-写写帮文库.docx
2024年书虫和他的书读后感-写写帮文库第一篇:书虫和他的书读后感书虫和他的书读后感假期里,我不知不觉的长大了,书,只有书,才是我心灵的家园,书,只有书,才能让我欢乐.我要做一条在书的海洋里游来游去,近几天我读了一本书虫与他的书,这本书真的很好玩,我一口气就把它占完了,真的蜜好石的.从书名就知道了讲的是书和书虫的故事.书虫呢是一种出书的虫子,有一天书虫发觉了一本书,书虫看到书虫舍命地逃.书一边逃一边扔下好多的字,字全部都成了真的,书虫一一体验过都不满足,书虫最终落在了书上.起先屹书,每个字初艮美味,书突然合上了,把书虫压扁了,书很慎悔,打开书发觉书虫没有死,就给了书生许多美食.他1门成了堂友.有一天书虫飞走了,书到处找书虫,可是找到时发觉书虫被小鸡吃了.书求小鸡把书虫还给自己,可是小鸡吐不出来.书就始终等到小玛长大生小玛在长大再生小鸡再餐终有一天一个鸡蛋破了书虫出来了.看到这里我很感动,因为书虫和书有情有义。珍惜身边的学友吧,友情天长地久!其次篇:书虫和他的书读后感银期里,我不知不觉的长大了,书,只有书,才是我心灵的家园,书,只有书,才能让我欢乐.我要侬一条在书的海洋里游来游去.近几天我读了一本书虫与他的书,这本书真的很好玩,我一口气就把它看完了,真的蛮好看的.从书名就知道了讲的是书和书虫的故事.书虫呢是一种出书的虫子,有一天书虫发觉了一本书,书虫看到书虫舍命地逃.书一边逃一边扔下好多的字,字全部都成了真的,书虫一体脍过都不满足,书虫最终落在了书上.起先吃书,每个字都很美味,书突然合上了,把书虫压扁了,书很懊悔,打开书发觉书宜殳有死,就给了书虫许多美食,他口成了挚友,有一天书虫飞走了,书到处找书虫,可是找到时发觉书虫被小鸡吃了.书求小冯把书虫还给自己,可是小鸡吐不出来.书就始终等到小题长大生小玛在长大再生小吗再最终有一f鸡蛋破了书虫出来了.看到这里我很感动,因为书虫和书有情有义.珍惜身边的空友吧,友情天长地久!第三篇:书虫读后感这是钢牛之恋的读后感AnAna1.ysisofJaneEyreThenove1.isrichinpoetry,symbo1.ismandmetaphor.1.tdoesnotfiteasi1.yintoadefinitepattern,beingneitheranove1.of,manners"inthetraditionofAusten,orastraightforwardGothicRomanceinthesty1.eofMrsRaddiffe.WhatChar1.otteBrontedidwastocreateaworkwhichc1.ever1.yb1.endse1.ementsofthetwosty1.es,andvhichremainsunique1.yindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimeratherControversia1.Thenove1.iswritteninthefirstperson,andthusmagnifiesthecentra1.CharacterthusthenarrativeisRETROSPECTIVE(1.ookingback).CBisc1.everinb1.endingthenarrativesothatattimesJaneseemstobespeakingasanadu1.twithadu1.thindsight,v/hi1.eatothersshesheis"inthemidd1.e"ofthem,asachi1.doryoungwoman.Theindecisionwhichisacentra1.issueinthebook,isheightenedbythisdevice.Weneverknow,asreaders,whethertobeentire1.ytrustfu1.ofJanesactionsandthoughts,becauseweareneversureWhehersheisspeakingimpu1.sive1.yormature1.y.Thisintensifiesthereadersdi1.emmaastowhatis"right"and*wrong"inthedramaticre1.ationshipswhicharepartofJE's1.ife.Canwebe1.ievewhattheheroinesays,orisshedeceivingherse1.f?Thenove1.isprimari1.ya1.ovestoryanda*romance*v/herewishescometruebuton1.yaftertria1.sandSufferingThesupernatura1.hasitsp1.ace,asdodreams,portentsandprophesies.Theheroinebeginsprand1.one1.yandendsuprichand!oved;theorphanfindsagoodfami1.ytorep1.acethewickedone;a1.1.thebasicingredientsofc1.assicromanticfairyta1.earepresent.Theromantice1.ementispresentintwoformsinJaneEyreXhe"fami1.y*1aspectisdea1.twithintheGateshead.1.ov/oodandMoorHouseepisodes,whichinvo1.vetheexchangingofthewickedReedfami1.yforthebenevo1.entRiversone;andthe1.overomanceisdea1.twithintheThornfie1.dandFerndeanepisodes.Bothaspectsare,ofcourse1.inkedandinterwoventhroughoutthenove1.Thereisa1.soastronge1.ementofrea1.isminthenove1.,which,marriedtotheromanticaspect,enhancesthenove1.'sStrengthJhesenseofp1.aceisveryStrong;Weareab1.etoexperiencebothexteriorandinteriorsettingswithstart1.ingc1.aritythroughoutthestory,inaseriesofvividdeivepassages.Thecentra1.charactersarea1.sorea1.isticandtheirconfrontationsandsufferingschangetheminabe1.ievab1.ev/ay.Eventheun1.ike1.yismadep1.ausib1.e,withauniqueb1.endofhighdramaandperceptive1.owcomedy(theattackonMason,forinstance)Themorefantasticromanticaspe<ts;theCoincidencesjthesecrets;thesupernatura1.occurrences,areba1.ancedbytherea1.ism,andthisisofcourseamajorstrength.TheGothicinf1.uencecannotbeignored,a1.thoughCBhasrefinedthetechniqueconsiderab1.yfromthe*authenticGothicofthe1790's.intheorigina1.genre,theheroineWoU1.dtypica1.1.ybeabductedandthreatenedwithseduction,orworse!.Therewou1.dbeaIoverwhowou1.dendeavortorescuetheheroineandwou1.dsucceedaftermanytria1.theseducerwou1.dbeabrigand"KnowthatIadoreCorsairs!*andhewou1.d1.ockthegir1.upinaremotecast1.e.Therewas1.itt1.efreedomformidd1.ec1.asswomenduringtheperiodoftheGothicnove1.,andthiswassti1.1.theCaSeinthetimeofCB-Marriageespecia1.1.yv/asoftenabargain,wherebyfortunesweresecuredbyusingthefema1.easapawn.Awoman'sva1.ue1.arge1.ydependedthereforeonhersexua1.purityandshev/asguardedandsecuredasaresu1.t.Men,onthecontrary,werepotentandfree;1.oversandmistresseswereCommon.IronicaIIythewomenwhoprovidedtheirservicesweresocia1.outcastsasaresu1.t.1.nJaneEyreweseee1.ementsoftheGothicromance,inthatThornfie1.dHa1.1.andRochesteraredescribedverymuchinthebrigand/cast1.esty1.eBUTJaneEyreisnotabductedbyROnthecontraryshechoosestogothereofherownfreeWiI1.ANDsheisc1.earinherdeterminationtohaveRochesterasahsband.Neitheristhereagent1.emanrescue11StJohnRiversmay1.ook1.ikeaGreekGod,butheisneitherkindnorbenevo1.ent;drivingJanebacktoFerndean,notrescuingherfromitThetria1.swhichtheheroissupposedtoundergoinaGothicromanceareinfactundergonebytheheroineinJaneEyre.ThebanditRochesterison1.yskin-deep.Undemeaththebroodingexteriorisasensitivesou1.,vhichaWOMANfrees.1.nthiswayweseethatCBcreatedratheradaringdeparturefromconventiona1.fiction,a1.thoughtherearesti1.1.manyaspectsofthenove1.whichremaintruetoVictorianConVention!你可以自己再修改下哦!第四篇:书虫读后感中文书虫读后感中文高傲与偏见,一部值得细细品我的小说,一个漂亮动人的故事,书虫读后感中文.文中描述了柏纳特一家几个女儿的故事.大女儿姬安,温顺和善,漂亮可人,与富家子弟宾利一见倾心,却在关键时刻发生了波折.二女儿伊的莎白,聪湖丽,有志气,有主见,与家产万贯的禺族百年达西相识.